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Experiments with Violin Bridges

Recently, I started working on a new project with Joseph Curtin. We are testing methods for controlling bridge mobility, experimenting with newer manufacturing techniques, and exploring the effect of a lighter bridge on the instruments’ frequency response. Photographed below are laser-cut blanks for two experimental bridge designs.

4 comments

1 Jigga-What Jigga-Who { 08.21.09 at 6:52 pm }

Very lovely. They look quite handsome against the…is that the ebony?

2 Alex Sobolev { 08.21.09 at 9:44 pm }

That is no ebony. That is honeycomb aluminum charred black by the lasercutter.

3 Jorge Paulin { 03.06.10 at 1:27 pm }

Congratulations. Very interesting and nifty work. That would be a not so expensive way to improve the sound quality of string instruments. I wonder if you have experimented with new shapes for Cello bridges.

4 Alex Sobolev { 03.06.10 at 2:12 pm }

Hello Jorge,
Thanks for commenting! It is always a nice surprise to hear from people.
Because the maker that I work with does not build cellos, I have not done any work on cellos yet. There is a chance that we might develop an electric cello after we finish our project designing an electric violin. This would give us a chance to really redesign the cello (maybe even bass) bridge. I have found that, in comparison to the violin, there is already exist a large diversity in cello bridge aesthetics. Especially if you start looking into older things like baroque designs and the gamba family.

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